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Elliot Ackerman

Author, journalist, and U.S. Marine Corps Veteran

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  • About Elliot Ackerman

    Elliot Ackerman is a writer, journalist, former White House Fellow, and decorated veteran. His books have been nominated for the National Book Award, the Andrew Carnegie Medal in both fiction and nonfiction, and the Dayton Literary Peace Prize. A former Marine, he served five tours of duty in Iraq and Afghanistan, where he received the Silver Star, the Bronze Star for Valor, and the Purple Heart. As a prominent figure in the veteran community and a regular contributor to TIME and CNN, Ackerman uses his platform to speak about his time serving in Iraq and Afghanistan, his perspective on current international relations in the Middle East, and how he turned to writing—both fiction and nonfiction—to chronicle America’s struggles abroad.

    In his upcoming novel, Red Dress in Black and White, Ackerman explores the fraught relationships between an American expat living in Turkey, her influential Turkish real estate developer husband, and their son. As the expat decides to leave her husband and return back to America with their child, Ackerman delves into the personal and political intrigue surrounding her decision and casts light into the shadowy corners of a nation on the brink.

    Ackerman’s other books search just as deeply into the personal and political dimensions of our relationships, both in foreign settings and here at home. In his novels, Ackerman presents characters either directly or tangentially affected by warfare, and his memoir, Places and Names, includes vivid and powerful stories of Ackerman’s own experiences in combat. His novel Waiting for Eden garnered ecstatic reviews; it was an Indie Next pick, as well as a finalist for the Indies Choice Award for Adult Fiction, an Amazon Book of the Month, and an ALA Notable Book. Before that, his novel Dark at the Crossing, set along the Syrian border, was a finalist for the National Book Award. Ackerman’s other writings have appeared in EsquireThe New YorkerThe Atlantic, and more, and have been listed under The Best American Short Stories and The Best American Travel Writing. He divides his time between New York City and Washington, D.C.

  • Speaking Topics

    Journalism and the Art of Fiction

    As a journalist, Elliot Ackerman has covered the wars in Syria, Iraq, and Afghanistan, as well as much of the upheaval across the Middle East. As a novelist, he has crafted his experiences into award-winning fiction. In this lecture he will discuss the process of writing Dark at the Crossing, his critically acclaimed novel set along the Syrian border, his journalism, and his memoir Places and Names: On War, Revolution, and Returning. He will discuss the interplay between fact and fiction in writing and the nature of “truth” in our “post-truth” age.

    The Opposite of Fear

    By definition war is a contradiction: we kill for peace. Having experienced conflict as both a participant during his military career and as a journalist, Elliot Ackerman reflects on the dual nature of war, in which humankind’s savagery is often on display alongside its greatest virtues. This lecture, which draws on history, current events, and literature, is formulated around the question: What is the opposite of fear? (Because it isn’t courage.)

    The Citizen and the Soldier

    Our military is a reflection of our society. In a widely discussed TIME cover story, Elliot Ackerman made an argument for reinstituting the draft. In this lecture Elliot Ackerman charts America’s shifting relationship with its military and why the current civil-military divide in this country is a disturbing bellwether of several troubling societal trends. He discusses the evolution of his own thought, from someone who served as a military professional to his belief that such professionalization is a danger to our democracy.

  • Video

  • Praise for Elliot Ackerman

    Praise for Waiting for Eden

    Patiently, and unflinchingly, Ackerman is becoming one of the great poet laureates of America’s tragic adventurism across the globe.

    Pico Iyer

    Heart-wrenching.

    Rachel Martin, Morning Edition/NPR

    Masterly . . . Brilliant . . . In his short novel, Ackerman accomplishes what a mountain of maximalist books have rarely delivered over tens of thousands of pages and a few decades: He makes pure character-based literary art, dedicated only to deeply human storytelling . . . Rachel Cusk’s Outline trilogy and Jenny Offill’s Dept. of Speculation have created similarly shimmering portraits of humans at rest and fury . . . Ackerman explore[s] conflicted, confused true love in such elegant and humane ways that you will come to question everything you think you know about the meanings of romance and fidelity . . . The micro-level power of his unadorned and direct prose lies in no less than an attempt to contain and dramatize the darkness and light of our souls . . . To identify this book as a novel seems inadequate: Waiting for Eden is a sculpture chiseled from the rarest slab of life experience.”

    Anthony Swofford, New York Times Book Review

    A slim heartbreaker about a war veteran who reflects on his troubled, secretive marriage.

    Entertainment Weekly

    A classic triangle story of love and friendship, a ghost story, a captivity narrative, and a study of human endurance . . . all of it easily read in one sitting . . . Ackerman’s novel quietly suggests that America itself is a ghost story, and we are all in the act of waiting for Eden.” —

    Brian Turner, Washington Post

    Haunting . . . Daring . . . Ackerman’s spare but vivid prose conveys everything it needs to convey.

    Michael Upchurch, Boston Globe

    A novel about life-or-death decisions . . . Part of a long tradition of slim novels that take place almost entirely on Christmas, stretching back to Charles Dickens’s A Christmas Carol . . . Ultimately hopeful.”

    Erin Vanderhoof, Vanity Fair

    Ackerman further shows himself to be the Tim O’Brien of our era.

    Vogue

    With Waiting for Eden, Elliot Ackerman tells a story that cuts straight to the heart of the human condition. His sentences are elegant in their concision and directness, and they reveal as much about grief, love, and our duties to each other as any book I can recall reading. It’s a bold, ambitious project even in its most quiet moments, for it asks no less than where we draw the line around the inherent value of human life. This is a devastatingly sad and compassionate piece of work. Extraordinary.

    Kevin Powers, author of The Yellow Birds and A Shout in the Ruins

    Far more than a war story . . . A tautly written, gripping read . . . Part mystery, part thriller, part unconventional love story, Waiting for Eden explores with gravity and sensitivity the profound questions of love and fidelity, duty and honor, and how one creates a life worth living.

    Julia Tagliere, Washington Independent Review of Books

    With sparse prose and a deft pen, Ackerman writes a profound meditation on the liminal space between our past, present, and future.

    Library Journal (starred)

    Gorgeously constructed . . . Unique . . . A deeply moving portrayal of how grief can begin even while our loved ones still cling to life . . . A wonderful novel.

    Booklist (starred)

    Heartbreaking . . . A deeply touching exploration of resentment, longing, and loss.

    Publishers Weekly (starred)

    Eden is a masterful work, haunting and enduring . . . Tugs at the heartstrings . . . Engrossing . . . Ackerman displays his writing craft magnificently . . . A suspenseful tale that reveals the deepest recesses of human lives, hopes, and dashed dreams.

    Jim Ewing, Mississippi Clarion Ledger

    An affecting, spare, and unusual novel. ”

    Kirkus Reviews (starred)

    Packed with love, pain, and guilt, but above all, a meditation on the legacies we leave behind.

    Bookpage

    Praise for Places and Names: On War, Revolution, and Returning

    In Places and Names, perhaps the most striking war memoir of the year, Ackerman attempts to make sense of the reasons he served (personal and geopolitical), the people he met, the kinship he felt and the reckonings he has since confronted. Places and Names is as clean and spare in its prose as it is sharp and unsparing in timely observation.

    TIME magazine

    [A] spare, beautiful memoir. . . Places and Names is a classic meditation on war, how it compels and resists our efforts to order it with meaning. In simple, evocative sentences, with sparing but effective glances at poetry and art, [Ackerman] weaves memories of his deployments with his observations in and near Syria. He pulls off a literary account of war that is accessible to those who wonder ‘what it’s like’ while ringing true to those who—each in his or her own way—already know.

    The New York Times

    Beautiful writing about combat and humanity and what it means to ‘win’ a war.

    Mary Louise Kelly, NPR

    Lyrical . . . Places and Names ends with a searing and beautiful chapter that details [Ackerman’s] thoughts amid the blood, sweat and adrenaline of the Battle of Fallujah. . . . A thoughtful perspective on America’s role overseas.

    Washington Post

    What a great, honest book – the kind that makes one feel lucky to have in one’s hands. Ackerman has served his country twice: first as an infantryman in our nations wars, and then as a guide—wise beyond his years—who helps us understand what we’ve done. His prose is easy and comfortable like an old jacket. His understanding of war is so profound that one feels like secrets have been revealed—truths—information that one day may be necessary for our survival. Well done.

    Sebastian Junger, author of Tribe

    Places and Names is its own profile in courage: the story of how a Marine turned reporter struggled with the polemics of desolation in the Middle East. Elliot Ackerman is a man of both action and thought, and his book is closely observed, rigorously lived, and clarifying for all of us who have not understood how U.S. policy in the Islamic world went so terribly wrong.

    Andrew Solomon, author of Far and Away, Far From the Tree, and The Noonday Demon

    [Ackerman’s] descriptions of Syria, which he visited as a writer, were so painfully evocative for me that I had to stop reading for a time. His vivid, sparse prose bears comparison to that of Tim O’Brien in The Things They Carried or Norman Lewis in Naples ’44; Places and Names has the same clear-eyed view of what war is.

    The Spectator‘s Books of the Year 2019

    It’s so readable I devoured the book in one plane journey . . . a master of dagger-sharp prose and memorable detail.

    Times (UK)

    Brings a fiction writer’s touch to his reportage . . . His descriptions of battle itself are all the more effective for their matter-of-factness . . . A gifted and thoughtful witness.

    Sunday Telegraph

    [Places and Names] contains many insights into the purpose of war and how it damages all parties involved. . . . Any fan of Ackerman’s previous novels, memoirs on the Iraq or Afghanistan wars, and valuable outlooks on the nature of war and its combatants will find this phenomenal.

    Library Journal, starred review

    The power of this memoir comes from [Ackerman’s] illumination of paradoxes and contradictions that provide a common emotional denominator for soldiers who previously found themselves in wars where they discovered more than two sides. . . . A profoundly human narrative that transcends nationality and ideology.

    Kirkus, starred review

    [A] searing, contemplative, and unforgettable memoir-in-essays. . . . Deeply personal yet never losing sight of the big, historical reasons for recent events, this collection recalls Michael Herr’s classic Dispatches as well as William T. Vollmann’s voluminous ruminations on violence in Rising Up and Rising Down, and is perhaps the finest writing about the Afghanistan and Iraq conflicts that has been published to date.

    Booklist, starred review

    Elliot Ackerman fought the Long War, and now, with Places and Names, he gives us a searingly honest record of his ongoing effort to make sense of that war. This is, literally, a book of wanderings; Ackerman’s sojourns to conflict zones, old battlefields, and muddy refugee camps recall the wanderings of that earlier soldier, Odysseus, as he struggles to come home from war, and, no less than his predecessor, Ackerman finds himself journeying through the shadow world of ghosts and spirits that go by the name of memory. Vivid, profound, restless, and relentlessly probing, Places and Names is destined to become a classic of the Long War.

    Ben Fountain, author of Billy Lynn’s Long Halftime Walk

    Places and Names is a brilliant and gripping account of the aftermath of failed wars and revolutions, and of the still burning idealism that smolders in the wreckage. Elliot Ackerman brings a novelist’s skill with language, a reporter’s eye for detail, and his life experience as a highly decorated Marine veteran of five deployments to bear in this unique and powerful meditation on violence, heroism, and the fracturing of the Middle East.

    Phil Klay, author of Redeployment, winner of the National Book Award

    Elliot Ackerman’s voice scares me. It’s a bit too close for comfort. He sees too much and he knows too much, and that makes him a great guide to today’s post-everything Middle East. Read him at your own risk—but ignore this book at your own peril.

    Thomas E. Ricks, author of Making the Corps, Fiasco, and Churchill and Orwell

    In Places and Names, Elliot Ackerman, a soldier turned writer, seeks out his former foes and confronts his own memories on battlefields where the killing continues. The result is one of the most profound books I have ever read about the real nature of war and the abstract allure of the ideas and the bloodshed that fuels it.

    Jon Lee Anderson, author of The Fall of Baghdad and Guerrillas: Journeys in the Insurgent World

    Elliot Ackerman writes beautifully about war—especially the new wars of the Middle East through fiction and now non-fiction. His exceptional memoir is really a double memoir of his own experiences as a Marine and those of a jihadist fighter he befriends in a refugee camp. The result is an superb, unique, and unforgettable story of war and death, fear and cruelty, above all the horrors and allure of combat.

    Simon Sebag Montefiore, author of The Romanovs

    Places and Names is an extraordinarily beautiful and insightful work of memoir and journalism by a writer who deserves to be read widely. Elliot Ackerman is as adept at describing the strange cocktail of emotions that accompany the moments preceding combat as he is unraveling the Gordian Knot of contemporary geopolitics.

    Kevin Powers

    Ackerman’s honest searching to come to terms with his war experience helped me better understand my own. This book is a gift that should be shared with every American who helped pay for people like Ackerman to fight their wars for them.

    Karl Marlantes, prize-winning author of Matterhorn and Deep River

    Praise for Dark at the Crossing

    One could argue that the most vital literary terrain in America’s overseas wars is now occupied not by journalists but by novelists…Elliot Ackerman is certainly one of those novelists…He has created people who are not the equivalents of the locally exotic subjects in your average NPR story, and he has used them to populate a fascinating and topical novel.

    Lawrence Osborne, New York Times Book Review

    Ackerman, who lives in Istanbul and has written some fine reportage from the Turkish borderlands, knows Gaziantep well and sharply depicts its incongruities . . . He shows boldness and empathy in trying to envision modern conflagrations from foreign vantage points.

    Sam Sacks, Wall Street Journal

    Ackerman’s eye for detail grounds this novel in a space that quickly transports readers into a world few Americans know . . . Dark at the Crossing is not only a fictional meditation on remorse, betrayal, love and loss, but also a journey that returns us to the beautiful and broken world we live in.

    Washington Post

    Dark at the Crossing promises to be one of the most essential books of 2017.

    Esquire

    Visceral, unsentimental and in a style that begs to be underlined and savored, this is a novel about how people carry the emotional and physical scars of war through their lives, and how war both demolishes and becomes home . . . The many references to actual street and district names, smells and unique predicaments, such as underfunded, understaffed hospitals that are teeming with refugees, heighten the book’s authenticity and earnestness.

    Pittsburgh Post-Gazette

    Dark at the Crossing is every bit as taut and harrowing as the place it depicts, a region where fifteen years of relentless war play out in filthy refugee camps and upscale shopping malls. Elliot Ackerman has written a brilliant, admirably merciless novel of broken lives, broken places, and good intentions gone awry.

    Ben Fountain, author of Billy Lynn’s Long Halftime Walk

    Infused with profound knowledge, empathy, and chutzpah, Ackerman’s writing is hauntingly evocative and beautiful. It is a rare writer who is not afraid to deal with the toughest conflicts, ask the hardest questions, show the darkest side of even heroes, and still manage to renew our faith in humanity.

    Elif Shafak, author of The Bastard of Istanbul

    Here is a thriller, psychological fiction, political intrigue, and even a love story all wrapped into a stunningly realistic and sometimes horrifying package. Put Ackerman on the A-list.

    Library Journal (starred)

    Elliot Ackerman’s quietly subversive sensibilities make him one of the most potent and original writers to emerge from that elite platoon of men and women who, since 9/11, have laid down their guns to pick up a pen. Once again, here in his second novel, Dark at the Crossing, Ackerman insists American readers immerse themselves in the humanity of their country’s enemies and victims. His work is a unique and bittersweet blessing of raw grace and naked, bleeding empathy.

    Bob Shacochis, author of The Woman Who Lost Her Soul

    Once again, Elliot Ackerman dares to imagine his way into the minds, lives, and fates of people too many American writers would judge as inaccessible—perhaps even forbidden. The result is a book whose emotional acuity is matched only by its literary artistry. They don’t award medals of valor to novelists, but while reading this book I often thought, Maybe they should.

    Tom Bissell, author of Apostle: Travels Among the Tombs of the Twelve

    Praise for Green on Blue

    Harrowing, brutal, and utterly absorbing. With spare prose, Ackerman has spun a morally complex tale of revenge, loyalty, and brotherly love. The saga of young Aziz is a chilling and often disturbing glimpse into one of the world’s most troubled regions.

    Khaled Hosseini, author of The Kite Runner

    Elliot Ackerman has done something brave as a writer and even braver as a soldier: He has touched, for real, the culture and soul of his enemy.

    The New York Times Book Review

    Compassionate, provocative, and alive.

    Vogue.com
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