National Book Award-winning author of The Underground Railroad
Photo credit: Madeline Whitehead
About Colson Whitehead
Colson Whitehead’s newest novel, The Underground Railroad, is an Oprah’s Book Club 2016 selection, a #1 New York Times bestseller, and the winner of the 2016 National Book Award for Fiction. Chosen by Amazon as the #1 book of 2016, it has been included in numerous 2016 best books lists, including The New York Times’ and The Washington Post’s top ten books of the year. Describing the book, Oprah Winfrey writes, “After turning the final page, I knew immediately I’d read something that would never leave me.” The Underground Railroad is a magnificent tour de force that chronicles a young slave’s journey during a desperate bid for freedom in the antebellum South. The novel is a shattering meditation on the United States’ complicated political and racial history. “The Underground Railroad reanimates the slave narrative, disrupts our settled sense of the past and stretches the ligaments of history right into our own era.” (The Washington Post)
A dynamic speaker, Whitehead lectures with his characteristic honesty and wit. He is a winsome storyteller and captivates audiences with inspiring anecdotes about his diverse bibliography, irreverent “Rules for Writing,” and how he came to write his powerful new novel.
Whitehead is the New York Times bestselling author of The Intuitionist, John Henry Days, The Colossus of New York (a book of essays about the city), Apex Hides the Hurt, Sag Harbor, Zone One, and The Noble Hustle. His writing has appeared in The New York Times, The New Yorker, New York Magazine, Harper’s, and Granta among other publications.
A Pulitzer Prize and PEN/Faulkner Award finalist, he is the recipient of both a MacArthur Fellowship and a Guggenheim Fellowship. He has taught at universities across the country.
Revisiting the Underground Railroad
In this lecture, Colson Whitehead discusses his new novel The Underground Railroad and how he came to write it. In the novel’s ingenious conception, the Underground Railroad is not a metaphor: a secret network of tracks and tunnels has been built beneath the Southern soil, and it is through this web of stations that our heroine, an escaped slave named Cora, flees the unrelenting brutality of the Georgia plantation on which she was born. Throughout the lecture, Whitehead deals frankly and powerfully with the complexities of revisiting and ultimately writing about slavery, and closes the talk with a short reading from the book.
Becoming a Writer
Colson Whitehead gives audiences a humorous introduction to the writing life, beginning with a tour through the many failures and setbacks that marked the beginning of his career. Drawing on his irreverent “Rules for Writing” originally published in The New York Times Sunday Book Review, Whitehead teases fresh advice from the well-used adages on craft with which we are all familiar, and closes this lecture with a short reading from one of his many books.
Praise for Colson Whitehead
Praise for The Underground Railroad
Kept me up at night, had my heart in my throat, almost afraid to turn the next page. Get it, then get another copy for someone you know because you are definitely going to want to talk about it once you read that heart-stopping last page.— Oprah Winfrey, (Oprah’s Book Club 2016 Selection)
[A] potent, almost hallucinatory novel that leaves the reader with a devastating understanding of the terrible human costs of slavery. It possesses the chilling matter-of-fact power of the slave narratives collected by the Federal Writers’ Project in the 1930s, with echoes of Toni Morrison’s Beloved, Victor Hugo’s Les Misérables, Ralph Ellison’s Invisible Man, and brush strokes borrowed from Jorge Luis Borges, Franz Kafka and Jonathan Swift… [S]urreal elements inject the narrative with a mythic dimension… One of the remarkable things about this novel is how Mr. Whitehead found an elastic voice that accommodates both brute realism and fable-like allegory, the plain-spoken and the poetic — a voice that enables him to convey the historical horrors of slavery with raw, shocking power…. The harrowing tale he tells here is the back story to the injustices African-Americans and immigrants continue to suffer today, but the back story only in the sense, as Faulkner put it, that ‘the past is never dead. It’s not even past’… [H]e memorializes the yearning for freedom that spurs one generation after another to persevere in the search for justice — despite threats and intimidation, despite reversals and efforts to turn back the clock. He has told a story essential to our understanding of the American past and the American present.— Michiko Kakutani, The New York Times
[T]hink Toni Morrison (Beloved), Alex Haley (Roots); think 12 Years a Slave. Now here comes Colson Whitehead and with an extraordinary new take… an electrifying novel … a great adventure tale, teeming with memorable characters. At times, it's almost too sad to bear, but you'll keep reading, inspired by Cora and all the others who struggled to keep their humanity alive while trapped in America's ‘peculiar institution’ of slavery. Tense, graphic, uplifting and informed, this is a story to share and remember.— People
[M]asterful, urgent… The vivid, heart-clutching narrative of [Cora’s] escape takes care of its own implications about the enormity that is America slavery…a major American novelist… A tragic, disturbing necessity: that describes the feeling of The Underground Railroad... The result is one of the finest novels written about our country’s still unabsolved original sin.— USA Today
Far and away the most anticipated literary novel of the year, The Underground Railroad marks a new triumph for Whitehead… The MacArthur “genius” has nimbly explored America’s racial consciousness — and more — with an exhilarating blend of comedy, history, horror and speculative fiction. In this new book, though, those elements are choreographed as never before. The soaring arias of cleverness he’s known for have been modulated in these pages. The result is a book that resonates with deep emotional timbre. The Underground Railroad reanimates the slave narrative, disrupts our settled sense of the past and stretches the ligaments of history right into our own era.— Ron Charles, The Washington Post
Ingenious… Whitehead brilliantly recreates the unique terrors for black people in the pre-Civil War era, his narrative seamlessly weaves the saga of America from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once a kinetic adventure tale of one woman's ferocious will to escape the horrors of bondage and a shattering, powerful meditation on the history we all share.— CBS
Praise for The Noble Hustle
Astonishing. . . . Witty. . . . Tom Wolfe crossed with Tom Pynchon.— The Washington Post
Hilarious. . .. Equal parts philosophical and farcical.— The Seattle Times
Praise for Zone One
A zombie story with brains. . . . [Whitehead is a] certifiably hip writer who can spin gore into macabre poetry.— The Washington Post
Whitehead writes with economy, texture and punch. . . . A cool, thoughtful and, for all its ludic violence, strangely tender novel, a celebration of modernity and a pre-emptive wake for its demise.— The New York Times Book Review
Praise for Sag Harbor
He can write sentences like nobody’s business, and the deepest satisfaction in this book full of them is his crafty turn of phrase.— Bloomberg News
No one writes with more acrobatic imagination and good humor about the complexities of race in America than Colson Whitehead.— Ron Charles, The Washington Post
Books by Colson Whitehead
Media About Colson Whitehead
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The Underground Railroad (Oprah's Book Club)
"[A] potent, almost hallucinatory novel that leaves the reader with a devastating understanding of the terrible human costs of slavery. It possesses the chilling matter-of-fact power of the slave narratives collected by the Federal Writers’ Project in the 1930s, with echoes of Toni Morrison’s Beloved, Victor Hugo’s Les Misérables, Ralph Ellison’s Invisible Man, and brush strokes borrowed from Jorge Luis Borges, Franz Kafka and Jonathan Swift."
—Michiko Kakutani, The New York Times