Journalist, teacher, and author of The Woman Upstairs
Photo credit: Lisa Cohen
About Claire Messud
Claire Messud was born in the United States in 1966 to a French father and a Canadian mother, and was raised in Sydney, Australia, and Toronto, Canada, before returning to the States in 1980. Educated at Yale and Cambridge universities, she lived in London until 1995, where she was deputy editor of The Guardian‘s Women’s Page.
Claire has taught at various colleges and universities, including Amherst College and Kenyon College, and in the MFA program at Warren Wilson College. She has written reviews and articles for numerous publications on both sides of the Atlantic, including The New York Times, The Boston Globe, The Nation, The Daily Telegraph (London), The Times (London), and The Times Literary Supplement.
Claire Messud’s The Emperor’s Children was a New York Times, Los Angeles Times, and Washington Post Best Book of the Year. Her first novel, When the World Was Steady, and her book of novellas, The Hunters, were finalists for the PEN/Faulkner Award. Her second novel, The Last Life, was a Publishers Weekly Best Book of the Year and Editor’s Choice at The Village Voice. All three were New York Times Notable Books of the Year. Her most recent novel,The Woman Upstairs, was on several best books of the year lists, including the Huffington Post, Chicago Tribune, Goodreads, Washington Post, and theNew York Times 100 Notable Books of 2013. She is the recipient of a Guggenheim Fellowship, a Radcliffe Fellowship, and the Straus Living Award from the American Academy of Arts and Letters. She lives in Massachusetts with her husband and children.
Praise for Claire Messud
Claire Messud was wonderful. She is so erudite and personable. And she is very approachable and generous with her time.— Northern Trust, Chicago
Books by Claire Messud
Media About Claire Messud
- 212 572-2013
- Claire Messud travels from Boston, MA
The Woman Upstairs
The Woman Upstairs is an extraordinary novel, a psychological suspense story of the highest sort that will leave you thinking about its implications for days afterward. Messud's skills are all on display here, [in] a work of fiction that is not just beautifully observed but also palpably inhabited by its gifted writer in a manner she has not quite dared attempt before. — Daphne Merkin, Bookforum